Before I left for college a good friend, knowing of my fascination with religious iconography, bought me a rosary from a store in Italy. Real silver with lacquered beads, it opened the door to the mystical, morose world of the Catholics, whose feminine deity I learned later, was Mary, mother of God. Mary, with her kind of split symbolism (in my mind anyway) -- at once a feminist who required no man to give birth to the Christian God, like an ancient bra burner, and a pious, chaste symbol of conservative Catholicism. Over the past few years, she, along with San Cono, the patron saint of Teggiano (where many of the neighborhood folks are from) have become my adopted protectors.
In the Northwest section of Williamsburg, where Italians and Puerto Ricans find common ground in the same God, Mary reigns supreme. Images and busts of her fragile form are everywhere, outside my local deli, poked into the ground like ceramic knomes in the gardens of my neighbors, even suspended, as it were, from atop what would otherwise be indiscriminate street signs. All shapes and sizes. With Jesus and without. That's why, in this first "official" post of The Williamsburg Diaries I decided it was only fitting to go on what I've dubbed a "Mary Tour." Screw Beacon's Closet. If you want to see an iconic image of Williamsburg, take my Mary Tour one Sunday morning, when the sun is just peeking over the horizon and the Marys are in full force:
Watching over the BQE on the corner of Meeker and Frost.
Protected from years of tarnish on Withers between Leonard and Manhattan.
Reticent on Withers b/w Graham and Manhattan.
With Baby Jesus on Frost b/w Graham and Manhattan.
Crowned in tinsel on Concelyea by the corner of Graham.
Simply divine in stain glass b/w Leonard and Manhattan.
Mary and some unnamed dignitary on Conselyea by the corner of Graham.
The virgin mother in all her glory at Anthony and Son on Graham b/w Frost and Withers.
Cosy in her house on the corner of Woodpoint and Withers.
Mary in a jar on Frost Street b/w Graham and Manhattan.